Aspirations For Identity In Bama "Sangati” And Toni Morrison "Beloved"

Abstract

The term “identity” encompasses a wide array of elements integral to one's sense of self, including rights, equality, dignity, access to equal opportunities in both work and education, and the fundamental right to receive fair pay for one's contributions. Postcolonial literature extensively delves into the multifaceted concept of identity, shedding light on how historical narratives, cultural contexts, and entrenched ideological frameworks intersect within both alien and native societies, intricately weaving themselves into the lives of the central characters. The pervasive sense of disorientation and isolation experienced by these protagonists emanates from the incessant questioning they face from those around them, probing into their origins and demanding answers to questions like ‘who are you? Where are you from?’ The inherent complexities arising from the juxtaposition of conflicting binaries create a profound identity crisis, where individuals find themselves grappling with the intricate puzzle of defining who they truly are amidst the competing societal expectations and self-perceptions. It becomes evident that identity is not a fixed, inherent trait but rather a nuanced and dynamic process that is shaped by a combination of external influences and personal agency. One's sense of self is a composite tapestry of both bestowed attributes and consciously constructed facets, continually evolving and adapting in response to the complex interplay of personal experiences and societal constructions.