Algerian Cinema And Religious Discourse: Representation Of Sufism And Popular Rituals Between Memory And Modernity”

Main Article Content

Dr. AMARI ALLEL

Abstract

The themes of Algerian cinema have diversified and multiplied from its inception to the present day, addressing various aspects of daily life in Algerian society. What is particularly interesting in our study is the theme of religious discourse in Algerian films, represented primarily by the themes of Sufism and religious rituals prevalent in Algeria. Filmmakers have dealt with this theme in many of their works, as it is part of the beliefs of the Algerian people, inherited from French colonialism, following processes of ignorance and erasure of Arab-Islamic identity. 


 

Article Details

How to Cite
Dr. AMARI ALLEL. (2025). Algerian Cinema And Religious Discourse: Representation Of Sufism And Popular Rituals Between Memory And Modernity”. Journal for ReAttach Therapy and Developmental Diversities, 8(1), 87–95. https://doi.org/10.53555/jrtdd.v8i1.3552
Section
Articles
Author Biography

Dr. AMARI ALLEL

University of Ziane Achour Djelfa (Algeria).

References

cinématographique, O. n. (1984). Alger, Algeria: Ministére De la Culture Et De Tourisme

Oxford University Press. (2010). *Oxford Dictionary of English (3rd Edition). USA.

Ibn Manzur. (2005). Lisan al-Arab (Vol. 4, No. 5). Beirut, Lebanon: Dar Sader.

Ahmed Al-Mutawakkil. (2001). Issues of the Arabic Language in Functional Linguistics: Structure of Discourse from Sentence to Text. Rabat: Dar Al-Aman.

Bougoura El-Zawi. (2000). The Concept of Discourse in Michel Foucault’s Philosophy. Algeria: Supreme Council of Culture.

Iman Batma. (January 25, 2016). Types of Discourse. Retrieved February 28, 2025, from Mawdoo3: [https://mawdoo3.com/أنواع_الخطاب](https://mawdoo3.com/%D8%A3%D9%86%D9%88%D8%A7%D8%B9_%D8%A7%D9%84%D8%AE%D8%B7%D8%A7%D8%A8).

Bashir Khalaf. (2009). The Arts as a Language of Emotion - Study. Ain Millila, Algeria: Dar Al-Huda.

Ben Atso Souheila. (October 15, 2020). Sufi Discourse between Essence and Reference. Journal of Interpretation and Discourse Analysis, 1(2), 163-174.

Ben Omar Bakhti (Director). (1985). Sheikh Bouamama [Film].

Khalifa Al-Misawi. (2013). Linguistic Terminology and the Establishment of Concepts (Vol. 1). Rabat, Morocco: Dar Al-Aman.

Khalil Youssef. (July 13, 2021). Algerian Cinema: From Globalization to Contraction. Retrieved 2024, from Al Jazeera: [https://www.aljazeera.net](https://www.aljazeera.net).

Abdelhamid Bouraoui. (1998). The Epic Hero and the Victim Heroine in Algerian Oral Literature. Algeria: National Publishing House.

Abdel Karim Qaderi. (January 25, 2021). The Dervish in Algerian Cinema. Retrieved March 6, 2025, from Diffah: [https://diffah.alaraby.co.uk/diffah/arts/2021/1/25/الدرويش-في-السينما-الجزائرية](https://diffah.alaraby.co.uk/diffah/arts/2021/1/25/%D8%A7%D9%84%D8%AF%D8%B1%D9%88%D9%8A%D8%B4-%D9%81%D9%8A-%D8%A7%D9%84%D8%B3%D9%8A%D9%86%D9%85%D8%A7-%D8%A7%D9%84%D8%AC%D8%B2%D8%A7%D8%A6%D8%B1%D9%8A%D8%A9).

Issa Charef. (1995). Four Films and a Discussion on Cultural Identity. Al-Arabi Magazine – Cinema: A Young Age of 100 Years, 339, 160.

Arabic Language Academy. (2002). Al-Waseet Dictionary (Vol. 4). Beirut, Lebanon: Dar Al-Shorouk International.

Mohamed Chouikh (Director). (1982). Qati’a [Film].

Mohamed Lakhdar Hamina (Director). (1974). Chronicles of Years of Embers [Film].

Merzli Dalila. (1995). An Introduction to Semiotics (Text - Image). (Translated by Abdelhamid Bouraoui). Algeria: National Publishing House