Don DeLillo’s Cosmopolis and Underworld through Postmodern Lens
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Abstract
Postmodernism, originated in the mid-20th century, is a cultural, intellectual, and artistic movement characterized by scepticism of narratives, rejection of absolute truths, and emphasis on fragmentation, paradox, and irony. In America, it is primarily associated with writers like DeLillo, Pynchon, Wallace, and Morrison, and is primarily defined by a shift from traditional narratives.
A thorough study reveals that Postmodernism in art and architecture deviates from modernist focus on functionalism and form, purity, incorporating past styles and historical references. It represents uncertainty, plurality, and questioning of norms, influencing the contemporary thought and shaping artistic expression. In fact, its themes are Hyperreality, fragmentation, consumerism, and breakdown of traditional narratives and the unprecedented influence of media.
This paper will attempt to examine DeLillo’s Cosmopolis and Underworld through postmodern lens.
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References
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